pattern interlockの例文
- Philip Radcliffe ( 1965, p . 114 ) says that the three-note gesture shares with the opening of the first movement the unusual feature of beginning on the leading note of the scale . Daniel Chua ( 1995, p . 113 ) points out that this creates rhythmic ambivalence , especially when the two motives combine in bar 5 : In this way, as the two patterns interlock a gentle tension is induced by the differing rhythmic currents and admits the possibility of two contradictory metrical interpretations .
